|
Welcome Songs | |||
| Z | Title | Year | To |
| Z340 | Welcome, Viceregent of the Mighty King | 1680 | Charles II |
| Z336 | Swifter, Isis, Swifter Flow | 1681 | Charles II |
| Z341 | What, What Shall be Done in Behalf of Man? | 1682 | Duke of York |
| Z337 | The Summer's Absence Unconcerned We Bear | 1682 | Charles II |
| Z324 | Fly, Bold Rebellion | 1683 | Charles II |
| Z326 | From Those Serene and Rapturous Joys | 1684 | Charles II |
| Z343 | Why, Why are all the Muses mute? | 1685 | James II |
| Z344 | Ye Tuneful Muses | 1686 | James II |
| Z335 | Sound the Trumpet | 1687 | James II |
|
Operas and Semi-Operas | ||||
| Z | Title | Text | Type | Date |
| 626 | Dido and Aeneas | N. Tate | opera | 1689 |
| 627 | The Prophetess (The History of Dioclesian) | T. Betterton,
after J. Fletcher, P. Massinger | semi-opera | 1690 |
| 628 | King Arthur (The British Worthy) | J.Dryden | semi-opera | 1691 |
| 629 | The Fairy Queen | E. Settle, after Shakespeare | semi-opera | 1692 |
| 630 | The Indian Queen | Dryden, R. Howard | semi-opera | 1695 |
| 631 | The Tempest (The Enchanted Island) | T. Shadwell, after Shakespeare | semi-opera | 1695 |
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