Kinds of Readings
A definition of at least two terms is in order. I'm making up my own
definitions from memory here, so you can compare these to what your dictionary
says. Note that mine are more detailed, though.
An epic is a long story or narrative poem closely associated with a
particular culture and known to most people of that culture. It has these
characteristics:
- It begins in the middle of
the dramatic action.
- It has a background of
warfare.
- It has a background of the
supernatural. Often there's a suggestion that the key battles are started
and ended by divine forces for divine reasons, or that the hero must
participate in the conflict for a divinely ordained purpose other than the
obvious earthly purpose of the war. Usually that purpose has something to
do with spiritual knowledge he must gain and pass on to others through the
legends that will surround his victory and character.
- It has a grand scale and a
cast of thousands of characters, though not all of these characters are of
equal importance.
- It has a background of
travel. Usually a long journey is undertaken either to the scene of a war
or home from a war, and the route of the journey is manipulated by
spiritual forces in order to teach certain lessons.
- The hero is usually both a
warrior and a spiritual teacher. Often he starts only as a warrior but
evolves into a spiritual teacher along the way. That happens naturally as
he confronts death, either that of a comrade, his own, or both.
- The hero is often not the king
of his people at the beginning of the story. When this is the case, he
either challenges the king or becomes the rightful king through merit.
Alternatively, he may start out as a king but lose his kingship for awhile
or temporarily set it aside in order to pursue a more urgent goal, such as
a war in a distant country.
- The hero often is a child of
a god or the gods. Unusual circumstances are said to surround his birth.
- The hero's character reflects
the values of the culture that tells his story. Different epic heroes
therefore have different primary virtues. One might be more brave than
intelligent, another more intelligent than brave. One might value
truthfulness, another not, or a third might think there's no such thing as
truth. One might place his private principles or allegiances above his
loyalty to his society; another might sacrifice these for his society.
A myth is a story told to explain the origin of some basic problem or
situation that's a fundamental aspect of human experience. These stories are
not always regarded as factually accurate by the people who tell them. When
they are regarded as fact, they're also regarded as sacred. Anyway, whether
they're treated as fact or not, they're allegorical in character. (In other
words, the characters are symbolic. They actually represent specific virtues,
vices, problems, or other ideas.)
In this class, we'll read any potentially sacred material--for example,
selections from the Bible--as legend, not as fact. We'll interpret them as
literature without debating whether or not the events actually happened. In
many cases they did, in others they didn't, and in others it's not possible to
tell. But we won't debate whether they're true or not because that doesn't
concern us.
Examples of the issues explored by some common myths:
- how death entered the world
- how man got fire
- how man got language
- how the animals lost language
- why women bear children
- how men learned to tame
animals
- how men learned to make tools
- why women bear children
- why some particular event--for
example a flood or war--happened
- why certain animals have
certain characteristics (for example, why snakes shed their skin, why
snakes don't have legs, or why birds fly)
- why there is evil in the
world
Return to 251 syllabus.