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Cyberpunk
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| • Overview • Themes and Motifs • Key Works and Figures • Sources • | |
| Overview | |
"Cyber" pertains to information systems, like those in a computer."Punk" refers to fractious youth. Together the two elements suggest an artificial human with torn clothes and spiky hair (e.g., Daryl Hannah's character Pris in Blade Runner). The term cyberpunk comes from the title of a short story by Bruce Bethke "Cyberpunk" (1983) Cyberpunk is fiction dominated by the feeling that man is dwarfed by machine in a technological world. |
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| Cyberpunk shares elements of postmodern fiction in general: "a fascination with and knowledge of technology, an interest in its impact on contemporary culture, and a tendency to aesthetic experimentation and innovation that derives from the general postmodern questioning of representation itself" (Telotte 77). | |
| Cyberpunk "draws on the hard-boiled figures of Dashiell Hammett's detective stories, the Beat sensibility of [William]Burroughs and the paranoid climate [Thomas] Pynchon has traced through the whole range of contemporary popular culture.. . ." (Telotte 76) | |
Cyberpunk "is distinctive in its pervasively technological climate, its fascination with bioengineering, and the dystopean landscape through which its alienated figures typically move" (Telotte 76). Cyberpunk asks the questions:
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| Themes and Motifs | |
Cyberpunk works portray a society alienated from nature and organized along corporate rather than tribal, familial, or national lines. The setting is often an city of dreadful night where street smarts provide the ethic in a world modeled on the contemporary inner city--the rock scene, the drug scene, and hackers' dreams of glory. Cyberpunk attempts a fusion of the gothic mode with its stylistic sophistication and noir atmosphere and the heavily-technological concerns and essential metaphors of hard science fiction. |
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| Key Works and Figures | |
Godfathers of cyberpunk include Philip K. Dick and William S. Burroughs. The first cyberpunk novel is generally considered to be William Gibson's Neuromancer (1984), winner of both the Hugo and the Nebula. Other Key Works:
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For more titles, see
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| Sources | |
| Telotte, J.P. Science Fiction Film. New York: Cambridge University Press, 2001. | |
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