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High Fantasy
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| • Definition • Themes and Motifs • Key Works and Figures • Sources • | |
| Definition | |
High fantasy is generally measured against J. R. R. Tolkien's Lord of the Rings trilogy, the quintessential modern high fantasy. There are two key components of high fantasy:
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| Themes and Motifs | |
Garyn G. Roberts observes that high fantasy features "elaborate fictional universes. . . .[with] entire races of beings [who are in] both harmony and conflict. . . . the conflict, usually of a profound cultural, mythological, and theological nature, provides the complication and tension. . . " (207). Roberts further notes that high fantasy "emphasizes a moral quest in which 'good' forces are in direct conflict with 'Evil' forces." The goal of the hero is to finish the quest in such a way that the world remains intact (31). Some people, including Roberts, see heroic fantasy as a form of high fantasy; although it shares some of the charateristics of high fantasy, heroic fantasy does not always feature an epic battle between the forces of good and the forces of evil. See Fantasy Subgenres: Heroic Fantasy for a further discussion of heroic fantasy. |
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| Key Works and Figures | |
| Again, high fantasy is generally measured against J. R. R. Tolkien's Lord of the Rings trilogy. | |
For more titles, see |
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| Sources | |
| Roberts, Garyn G. "Dark Fantasy" in Roberts: 31-32. | |
| Roberts, Garyn G. "High Fantasy" in Roberts: 207-8. | |
| Roberts, Garyn G. , ed. The Prentice Hall Anthology of Science Fiction and Fantasy. Upper Saddle River, NJ: Prentice Hall, 2001. | |
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