Join us for these and other events in April:

• Festival of the Arts (April 1 - April 24)

• Author Percival Everett (Tuesday, April 8)

• Nova Theater Group Presents Four One-Act Plays (Friday and Saturday April 11,12,18,19 and Sunday April 13 & 20)

• Spring Fling (Tuesday, April 15)

• Photographer Sally Stein (Tuesday, April 15)

• Student Immigration Panel (Tuesday, April 22)

• Writer/Director/Producer Paul Kaufman (Tuesday, April 22)

• Celebrating Cuisine (Friday, April 25)

12:00 pm - 4th Floor Atrium

The catered reception is open to faculty, staff and students.

10:00 am to 2:00 pm - 1st Floor Atrium

7:00 pm - Theatre

There might not be a more fertile mind in American fiction today than Percival Everett’s. In 22 years, he has written 19 books, including a farcical Western, a savage satire of the publishing industry, a children’s story spoofing counting books, retellings of the Greek myths of Medea and Dionysus, and a philosophical tract narrated by a four-year-old.

Everett’s writing has earned him the PEN USA 2006 Literary Award (for his 2005 novel, Wounded), the Academy Award for Literature of the American Academy of Arts and Letters and the Hurston/Wright Legacy Award (for his 2001 novel, Erasure), the PEN/Oakland-Josephine Miles Award for Excellence in Literature (for his 1996 story collection, Big Picture) and the New American Writing Award (for his 1990 novel, Zulus). He has served as a judge for, among others, the 1997 National Book Award for fiction and the PEN/Faulkner Award for Fiction in 1991. (http://www.usc.edu/about/people/everett.html)

11:00 am to 2:00 pm - 2nd Floor Atrium

8:00 pm - Theatre

“Riders to the Sea” could be considered one of the world’s only successful one-act tragedies.  Written by John Millington Synge, of the Irish Renaissance of early 20th-century, the play deals with desolation, isolation, alienation, and the tragic toll taken by the sea surrounding a small fishing island.

“Impromptu,” Tad Mosel’s on-stage drama, contrasts four characters who are indeed in search of a director, a writer, a guide to help them muddle through the ‘business’ of life.

“The Indian Wants the Bronx” is Israel Horowitz’s exploration of the strangeness of the stranger, the danger of belonging and alienation, and the real fear of the unknown.

“The Still Alarm” has us laugh at George S. Kaufman’s cool-as-a-cumber characters caught in a cacophonous conflagration.

$10 General Admission; $5 students, faculty/staff, seniors, children
Tickets available at the door or to reserve tickets visit our website at http://www.nvcc.edu/nwtg

8:00 pm - Theatre

“Riders to the Sea” could be considered one of the world’s only successful one-act tragedies.  Written by John Millington Synge, of the Irish Renaissance of early 20th-century, the play deals with desolation, isolation, alienation, and the tragic toll taken by the sea surrounding a small fishing island.

“Impromptu,” Tad Mosel’s on-stage drama, contrasts four characters who are indeed in search of a director, a writer, a guide to help them muddle through the ‘business’ of life.

“The Indian Wants the Bronx” is Israel Horowitz’s exploration of the strangeness of the stranger, the danger of belonging and alienation, and the real fear of the unknown.

“The Still Alarm” has us laugh at George S. Kaufman’s cool-as-a-cumber characters caught in a cacophonous conflagration.

$10 General Admission; $5 students, faculty/staff, seniors, children
Tickets available at the door or to reserve tickets visit our website at http://www.nvcc.edu/nwtg

8:00 pm - Theatre

“Riders to the Sea” could be considered one of the world’s only successful one-act tragedies.  Written by John Millington Synge, of the Irish Renaissance of early 20th-century, the play deals with desolation, isolation, alienation, and the tragic toll taken by the sea surrounding a small fishing island.

“Impromptu,” Tad Mosel’s on-stage drama, contrasts four characters who are indeed in search of a director, a writer, a guide to help them muddle through the ‘business’ of life.

“The Indian Wants the Bronx” is Israel Horowitz’s exploration of the strangeness of the stranger, the danger of belonging and alienation, and the real fear of the unknown.

“The Still Alarm” has us laugh at George S. Kaufman’s cool-as-a-cumber characters caught in a cacophonous conflagration.

$10 General Admission; $5 students, faculty/staff, seniors, children
Tickets available at the door or to reserve tickets visit our website at http://www.nvcc.edu/nwtg

Cafeteria

Vote for the 2008-2009 SGA officers (April 14 - April 17)

Cafeteria

Vote for the 2008-2009 SGA officers (April 14 - April 17)

Cafeteria

Vote for the 2008-2009 SGA officers (April 14 - April 17)

2:30 pm to 6:30 pm - Theatre

Contact Sabih Usmani for more information.

Cafeteria

Vote for the 2008-2009 SGA officers (April 14 - April 17)

8:00 pm - Theatre

“Riders to the Sea” could be considered one of the world’s only successful one-act tragedies.  Written by John Millington Synge, of the Irish Renaissance of early 20th-century, the play deals with desolation, isolation, alienation, and the tragic toll taken by the sea surrounding a small fishing island.

“Impromptu,” Tad Mosel’s on-stage drama, contrasts four characters who are indeed in search of a director, a writer, a guide to help them muddle through the ‘business’ of life.

“The Indian Wants the Bronx” is Israel Horowitz’s exploration of the strangeness of the stranger, the danger of belonging and alienation, and the real fear of the unknown.

“The Still Alarm” has us laugh at George S. Kaufman’s cool-as-a-cumber characters caught in a cacophonous conflagration.

$10 General Admission; $5 students, faculty/staff, seniors, children
Tickets available at the door or to reserve tickets visit our website at http://www.nvcc.edu/nwtg

8:00 pm - Theatre

“Riders to the Sea” could be considered one of the world’s only successful one-act tragedies.  Written by John Millington Synge, of the Irish Renaissance of early 20th-century, the play deals with desolation, isolation, alienation, and the tragic toll taken by the sea surrounding a small fishing island.

“Impromptu,” Tad Mosel’s on-stage drama, contrasts four characters who are indeed in search of a director, a writer, a guide to help them muddle through the ‘business’ of life.

“The Indian Wants the Bronx” is Israel Horowitz’s exploration of the strangeness of the stranger, the danger of belonging and alienation, and the real fear of the unknown.

“The Still Alarm” has us laugh at George S. Kaufman’s cool-as-a-cumber characters caught in a cacophonous conflagration.

$10 General Admission; $5 students, faculty/staff, seniors, children
Tickets available at the door or to reserve tickets visit our website at http://www.nvcc.edu/nwtg

8:00 pm - Theatre

“Riders to the Sea” could be considered one of the world’s only successful one-act tragedies.  Written by John Millington Synge, of the Irish Renaissance of early 20th-century, the play deals with desolation, isolation, alienation, and the tragic toll taken by the sea surrounding a small fishing island.

“Impromptu,” Tad Mosel’s on-stage drama, contrasts four characters who are indeed in search of a director, a writer, a guide to help them muddle through the ‘business’ of life.

“The Indian Wants the Bronx” is Israel Horowitz’s exploration of the strangeness of the stranger, the danger of belonging and alienation, and the real fear of the unknown.

“The Still Alarm” has us laugh at George S. Kaufman’s cool-as-a-cumber characters caught in a cacophonous conflagration.

$10 General Admission; $5 students, faculty/staff, seniors, children
Tickets available at the door or to reserve tickets visit our website at http://www.nvcc.edu/nwtg